Heart, Hand, Art: Erotic Moments From a Sexual Revolution

Photography documenting lgbt visibility, sexuality and protest in San Francisco from 1988-2011.

For more info contact me: phyllis@phyllischristopher.com

See also: 'Sex Wars Revisited', by Laura Guy, Winter 2016 issue of Aperture magazine.

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Anna, 2001

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Castro Street Fair, 1989

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Elvis Herselvis, Klubstitute, 1990

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Abortion Rights Rally, San Francisco, 1989

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2000

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Abortion Rights Rally, San Francisco, 1989

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1999

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1997

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2000

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Pro-Choice Protest, San Francisco, 1989

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Queer Nation Visibility Action, Concord Mall, California, 1990

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Medication Access Protest, Burroughs Welcome, Livermore CA, 1990

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Medication Access Protest, Burroughs Welcome, Livermore CA, 1990

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Shar & Jackie, Broadway Tunnel, San Francisco, 1994

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Engagement Photo, Justin Vivian Bond & Elvis Herselvis, 1991

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1997, SOMA, San Francisco

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The LGBT community's protest against 'reverend' Larry Lea, a homophobic preacher visiting San Francisco on a 'prayer' tour, Halloween, 1990

Heart, Hand, Art: Erotic Moments From a Sexual Revolution

Text excerpt from the talk: The party was the victory......

The photographs in this portfolio are a small, tame selection from a large body of work made between 1988 and 2001. When I started taking these photographs nobody talked about sex in the mainstream and certainly not lesbian sex. At the time our friends were dying from HIV/AIDS. We were fighting for visibility, proper medical attention, and basic civil rights.

San Francisco is a city that attracts people who are committed to exploring pleasure. It always surprises me that in a world of so many horrors, anybody could find fault with images of pleasure. It felt like the city understood the need for stories of our selves to be made and there was an almost desperate energy to make them.

To pose for a photograph was a political act that required courage. It was still possible to lose a job in many professions for being a lesbian. Many of us felt we had lost so much and this fed into our extreme re-thinking of relationships and lifestyles. There is a freedom in a subculture of women who have been disowned by their families and shut out of mainstream culture.

I think of many of these photographs as illustrations of underground experimentation happening alongside the more visible LGBT culture that was emerging in the 90's. Women who had once been told they were alone and would never fit in found ourselves in San Francisco, transplanted from all over the world. We stopped committing suicide, crying, and hiding.

As Roxxie, the publisher of Girljock magazine printed in every issue:

"Forget 'The Well of Loneliness' - we're here to have fun."